Fighting fragmentation
We live in a time of ‘global warming’ in the field of communication and branding. It has been said that people living in developed countries see at average 550.000 brands each year. And a far larger amount of other commercial messages. It is a challenge for companies to survive and be successful in this fierce and constant battle of brands for the hearts and minds of consumers. We live in a thoroughly ‘fragmented’ world. Our society consists of images, the number one international language is a visual one. Consumers are thoroughly trained to read, understand and reject advertising messages. This ‘catch me if you can’ game has become increasingly complex and difficult to tackle.
This means that brands have to fight in order to be noticed. But how do you make efficient use of the budget and ensure return on investment? It starts by defining fragmentation as the process in which a brand looses its focus and consistency; the brand expression (the physical product or message) shows unwanted variation over different timeframes, different places, different media and different occasions.
The basic cause of fragmentation is that the level of complexity in marketing a brand exceeds the span-of-control in a company.
The degree to which the complexity exceeds the span-of-control equals the degree of fragmentation. This leads to a loss of power, results, return-on-investment of marketing investments.
Fragmentation is difficult to fight. It is not something you can pin point, isolate and solve. It is part of a gradual process that can come from any corner of the organization. No one is to blame, but still the brand is undermined, bit by bit on a daily bases. It can be the product manager who starts a direct mail campaign that is not in harmony with the overall brand, or a communication label that doesn’t comply with the brand portfolio strategy, or in store material that is based on a different positioning.
The threat of fragmentation can hardly come as a surprise. For years professionals have been trying to fight it. More then twenty years ago the phrase ‘integrated communication’ was en vogue in an effort to achieve better co-ordination between communication disciplines like public relations, direct marketing and advertising. It put the subject on the agenda, brought improvement, but did not lead to a solution. Fragmentation still exists. Nowadays professionals care to coin phrases like ‘multi-channel’, ‘through the line’ or ‘media independent’ to ward off fragmentation. The need to offer the market and consumers a more integrated, holistic brand expression and experience is evident.
I have analyzed and weighed a few factors that create this unattended complexity. Important criteria are the number of people, departments within companies and agencies involved in building and promoting the brand.
Companies need increasing budgets for a decreasing effectiveness of reaching consumers and selling their brands. This is downward spiral. Can you recall the days when a relatively simple media plan of television commercials and print ads could reach a national target audience. Today, the road from A to B (the consumer) has to be planned through a refined and elaborate media-landscape. And looking at the ‘all IP’ era that we are entering; the complexity will grow.
Traditionally, mass media communication meant that a specific selection of media could reach a mass audience. Right now it means that you have a massive amount of media that can only reach a specific selection of people.
The combination of these internal and external developments does indicate why fragmentation is such a difficult and important issue to tackle. It can put strong pressure on communicating effectively. The brand, acting as a bridge between the company and the consumer, is under great ‘stretch’ pressure to create a good balance in being consistent and flexible over time (regular updates) and in submarkets and target groups (differentiation). This uncertainty puts fear in professionals who have to account for their actions and investments.
In this respect, Visual Branding is important. I explained in the first two outlines that the visual element in branding is crucial. In the current situation, brand DMU’s (decision making units), review boards, brand tracking research, and other brand management instruments are basically focused on advertising or marketing communication. By acquiring control over all the visual manifestations you can seriously start to fight fragmentation. It helps to create a brand expression that is both dynamic and consistent – any where, any time, any place. In other words; consistency is not equal to uniformity and rules, it has everything to do with bringing the brand personality to life through it’s visual manifestations, from advertising, to product design, retail, internet, packaging, folders, interiour design etc. etc..
The parent brand will become more important as the hallmark, the basis of strength and trust; sub brands and endorsed brands become more and more important in their role as the targeted answer to the dynamics of the market and the specific nature of certain target audiences. This means that the brand architecture will have to stretch (from parent brand to sub brand to endorsed brand) without losing its soul, its core. This increased brand stretch in the whole brand portfolio can be facilitated by the visual presentation of all brand appearances (Visual Branding).
The wording ‘Visual Branding’ as such is important for this purpose. It will help business & marketing professionals to see that design is not a purely aesthetic profession but an essential part of branding and marketing. When a company is in control of all visual expressions in its branding and marketing efforts, it will be able to fight fragmentation effectively – and outperform competitors in the battle for the hearts and minds of the consumers.

Thanks Tom! You give Visual Branding high status for reasons I understand from your point of view. But I start missing a point here. The values of a Brand is shared with many people. It’s part of the story and development of a companies strategy. Products improves and techniques are getting refines every month. The heart of a Brand is the Icon and the story its surrounding itself with. Released new products are well orchestered in time and it is the story behind this to sell it as new, better, improved, thus something you ‘wanna have’. I believe story telling is the biggest and powerful tool of Brand Management. Selling a good story steals the show, and the visual appearance is just the other part of the job. Nowadays everything looks good. Esthetics, techniques, production and sales are at their highest level all over the world. Yep, it’s getting hot through all this. I believe the hottest issue is story of a Brand. How low below zero can Coca Cola go next step? How multifunctional will the next iPod be? Or even better answers to the question: Which company of which country will get the most beautiful share of the biggest new oilfield on earth. Brand Story Telling is the main part of Brand Management. Visual Branding steals it’s fashion-like show, like Steve Jobs does very nice, even with simple updates. This keeps the story, the belief in its Brand and its business going on for ever.
Dear Chrisjan van Tiggelen,
When I read your response I assumed you are somebody who works for an agency offering services in storytelling. Well, after I Googled your name I found out that you have a small design practice in Tilburg, after you joined big agencies like VBAT and Total Identity. Uhmmm… what I am trying to say, is that it has surprised me to hear such a plea bargain for storytelling from somebody who earns his living by creating and structuring shapes, colours and images.
Please don’t get me wrong. It is not my intention to attack you or make you ridiculous, but I don’t agree that story telling is the hottest issue in brand management. In my opinion, there is no such thing as a general priority list of brand development disciplines. It depends on factors like category values (the marketing laws of the particular industry) and individual brand issues to prioritize certain branding disciplines above or below the others. Each situation is different and demands a specific approach.
That does not mean that I don’t believe in the power of story telling. On the contrary! I just read the small but great book of Peter van der Wijk about this branding discipline and it really fascinated me. Nevertheless, I have a very strong believe in the usage of design as a long-term source for brand development too! I have been working as a media director in the past so I recognize and underwrite the growing danger of fragmentation that Tom mentioned immediately. Aristotle once said that ‘perception starts with the eye’ and my hero Marty Neumeier said that of all senses, people rely most on sight. Well… for me personally it is not that black-or-white, but I strongly believe that well orchestrated visual branding creates distinctiveness that contributes to realize recognizability which will surely fight and reduce the immense danger (threat) of fragmentation.
Kind regards,
Marcel Blijlevens
Be One
Not only visual aspects of identity
http://www.managementboek.nl/boekeninfo.asp?CODE=oobciihhqrihr
PS: On of the things that Coca Cola does to fight fragmention and to increase distinctiveness and recognizability, is the usage of a unique illustration style! I believe they introduced it in Summer 2006 and they will use it for the coming years as a major element in their brand communication.
I think we’re a bit confused by Chrisjans’ comments, especially him being a designer. “I believe story telling is the biggest and powerful tool of Brand Management”, he states. But I think this is what good design is all about: telling stories.
Feel free to google me
Tom, I also hope you’ll give us some thoughts about other aspects than marketing communications. There’s more to design strategy/visual branding than graphic systems, grid lines etc. What exactly would you mean by ‘fragmentation’? How could we create levels of freedom? As far as I know famous brands often don’t have really strict guide lines but are able to define a mentality which make different designs fit in.
Hi welcome, all KPN friends together. Feels like some collaboration here at this moment. The goal of my input here is: to make you write what you just wrote. Thanks for the backup!
and we don’t want to get confused by writings like “design is good for you” and put it in a ‘New Package’.
Because there is more than just Visual Design, eh… Visual Branding.
You all seem to understand my mission, translated in your new questions, thanks again!
Let me quote a unrecognized Wikipedia description of what I meant to say. It will give me the position back I used to have in my first comment, as being not just some dutch designer. I am interested in the spirit of Branding as a way of connecting people to something I’ll explain futher on.
here’s the quote:
Brand Stories are abstract devices created to spark the imagination of a brand strategy or design firm to think outside of the box while creating. The customers do not need to know the story, they only need to experience the after effects. A brand story taps into the imagination to envision what is not known.
end quote
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Let me put clear that design (Visual Branding) is one of the after effects. As for design, dutch designers tend to spread a non global way of visual communication, which is not in service of the brands spirit. Anyhow, what looks good, makes lots of friends. Design is an important tool yes.
I misunderstood Chrisjan in his first response to the outline of Tom. I confused his ‘story telling’ (which stands for the mental brand identity) with story telling as a communication discipline => distribution of stories via all kinds of internal and external media (free publicity if possible) to load the brand with certain desired associations.
Well… in the end it doesn’t matter that we were talking about two different things. I still believe that branding is a contact sports that takes place via a large number of touch points. Most of those touchpoints do have a strong visible element, so that underwrites the relevance of visual branding when it comes to fight fragmentation.
Nevertheless, modern branding requires the envolvement of a broad variaty of marketing disciplines. And all activities have to be directed by a clear description of the mental brand identity (or ‘brand story’ like Chrisjan prefers, or to speak with Tom’s words: brand personality).
I am sure we all agree on that : ))
Cheers,
Marcel